from Zero to Writer

from Zero to Writer

Sunday, November 22, 2015

Composing Effective Prose: Part 2


Writing in an Active Voice

Have you ever read your original draft, and you’re driven through the action purely because you remember how interesting you intended it to be? Have you ever had a beta reader or critique partner snooze through a scene you thought was jam packed with action, and you’re left dumbfounded that they put the book down? The culprit could be in your conveyance. So, how can you make your writing more active?


Simple! Fix your use of verbs and adjectives… and assassinate those adverbs.



Take your prose from this...


...to this…




Don’t Wimp out with Filter Words


To see
To realize
To hear
To watch
To decide
To think
To look
To sound (or sound like)
To touch
To seem
To know
To wonder
To feel (or feel like)


She felt a ringing in her ear = Her ear rang
They realized it was midnight = The clock struck midnight
He wondered what lurked in the darkness = What lurked beyond the shadows?


Watch out for these, as well:


Does
Get
Go
Has
Put


He has a plan to = He plans to
The team had ten losses = The team lost ten games
An accident occurred that damaged my car = That teenager busted my Audi


For a more in depth look at filter words, and when they are appropriate, check out Susan Dennard’s post here


Simplify and Clarify Actions


Come to an agreement to = Agree
Is not in a position to = Cannot
Is prepared to inform you = Will tell you
It has come to our attention = We notice
An effort is being made = We are trying
The woman was being ogled by the guy who was snipping the other guy’s hair = The barber couldn’t keep his eyes off of his client’s wife.


Prepositional Phrases


Be careful with your prepositional phrases. There are often worthier verbs within the prepositional phrases, eager to erupt!


To be of the opinion of = to believe
To be indicative of = to indicate
To put in an appearance = to appear
To take into consideration = to consider
To be in possession of = to own
To study in depth = to examine


Adverbs


“You may truly, madly, deeply love adverbs, but don’t ever drag one in to prop up a wimpy verb.” Constance Hale, “Sin & Syntax.”


He ran very quickly = He darted
She was utterly scared = She was horrified
The woman voiced aloud her concerns = The woman voiced her concerns
You rudely criticized me = You insulted me


And, just like that, you're prose is moving!


Check out these delicious links!





and these…



This has been another "'No Post on Sundays' Post"
#NoPostonSundaysPost


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